The show, Nós, Por Exemplo, included Veloso, Maria Bethânia, Gilberto Gil, and Gal Costa (still using the name Maria da Graça). Veloso was invited to organize a Brazilian popular music show at the opening of Salvador's Teatro Vila Velha. The same year, the Velosos became acquainted with Gilberto Gil and Gal Costa. But Guimarães loved her timbre, and included her in his 1963 staging of Nelson Rodrigues' musical Boca de Ouro, where she performed a samba a cappella to introduce the play. At 16, Bethânia initially refused, as she had never sung under such pressure. For Guimarães's short movie Moleques de Rua, Veloso composed a soundtrack which, according to him, should have had his sister singing in it. At that time, a novice Caetano Veloso had become the musical partner of the play director Álvaro Guimarães. The access to theater plays strengthened her desire to become an actress. At 13, her family moved to Salvador and she began to frequent the "university circles," intellectual groups gathering around art exhibitions and performances. Her father was not musically inclined, but loved to listen to Dorival Caymmi and Noel Rosa, while her mother sang almost constantly at home, becoming her daughter's first musical influence. She is the sister of singer/songwriter Caetano Veloso and poet and songwriter Mabel Veloso. Maria Bethânia Viana Teles Veloso was born in Santo Amaro da Purificação, in the state of Bahia in 1946, the sixth of eight children. In 2019 she issued Mangueira: A Menina Dos Meus Olhos, a celebration of the Rio samba school. That same year, she was the subject of Georges Gachot's biographical documentary Musica E Perfume. In 2008 collaborated with Cuban singer Omara Portuondo on Maria Bethânia & Omara Portuondo, which garnered global acclaim. In 2003 she released the smash Brasileirinho, a collection of pointedly Brazilian songs and styles, accompanied by Nana Caymmi, Tira Poeira, and Uakti. 1997's Imitação Da Vida went to the top of the MPB charts and remains one of her best-known albums. 1976's Doces Bárbaros documented an MPB supergroup of the same name that included Bethânia, Gilberto Gil, Caetano Veloso, and Gal Costa and become one of the best-selling albums in Brazil's history. A slate of popular outings from the 1970s including A Tua Presenca, Drama, Pássaro Da Manhã, Alibi, and Mel expanded her reputation across the globe to Europe and Asia. Possessed of a slightly reedy alto that can bend to contralto, Bethânia's background as a theatrical actress infused her recorded and live performances with drama, yet retained a deeply personal, intimate connection to both her material and her audience. After releasing her self-titled debut in 1965 for RCA, she became one of the most prominent voices to emerge from the MPB/Tropicalia eras she has mastered genres ranging from samba, bossa, and pop to jazz, indigenous folk, and even rock. Brazil's Maria Bethânia is one of her country's most famous, gifted, and enduring singers.
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